I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

disgusting, overrated, pointless

Did you people see the same film I saw?

Simple and well acted, it has tension enough to knot the stomach.

Unbelievable the amount of ignorance and pure hate in the reviews. People, this movie is about fu**ing dancing, not Oscar stories. A bunch of kids dancing and they serve like pros. Not to mention the music which is awesome. I have tried to see many dance movies after this one but non of them catch up.

This is the original and the BEST dance battle movie! Of course the story and acting are not great, but that's not what a movie like this is about; those aspects are incidental to a movie BURSTING with charm, electrifying battle scenes and a killer soundtrack. The whole cast were in their prime (and incredibly hot which never hurts) and the passion and love for their craft pours off the screen. People are taking this movie WAY too seriously and are totally missing what it's all about. It's not meant to be a gritty commentary on ghetto life in LA. What it's meant to be is a fantastic celebration of the skill and passion and phenomenal force of nature that was organic street dance battling. This remains one of the most hugely influential aspects of African American culture. It changed the music industry forever, launched countless entertainment careers and spawned countless imitation "dance movies". I'm not ashamed to say I LOVE THIS MOVIE and it will always be one of my all time favourites ever!!!

No idea why this movie is rated so low...the dance battles are great and its a classic street dance movie that paved the way for much bigger movies like Step Up. If you are in your mid 20's and have no rhythm and listen to country music, this movie isn't for you. Just search up You Got Served dance battles on YouTube and you will see its mostly positive reviews by young adults/teens who know this movie is fun.

Stokes' official response to the breakup is posted on the T.U.G. Entertainment website, expressing his "shock": "They are like my sons, and I can't understand how, or why they would do this, but if the boys can hear my voice now, I want them to know that I love them and I wish them the best. Plus, I am surprised because they are still under contract with me. I love all of you and all of the fans out there. Please pray for B2K." The statement is actually longer than this, but the line about the contract creeps in at the end, a detail that, oh dear, must have slipped the minds of his erstwhile son-like clients. (Omarion, for his part, has retreated from initial upset at the walk-out, telling MTV News he'd like to "get back together" with the others, following his solo projects, because "I think people would enjoy it.") The tumult has certainly been immense for the famously enthusiastic B2K fans. This makes the film's rather weak representation of at least one source of tension -- Omarion getting all the attention -- something like the proverbial car wreck, simultaneously hard to see and hard to turn away from. At least the dance scenes supply their own, more potent, mini-dramas, so the rest of it becomes less salient.