I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Amazing worth wacthing. So good. Biased but well made with many good points.

One of the worst ways to make a cult movie is to set out to make a cult movie.

We contributed to a Kickstarter campaign to help get this movie finished, so last week a DVD of it came in the mail. We were very pleasantly surprised. Three intertwining stories of young people coming of age, nicely handled. The thing that struck me so strongly is that the characters are so American and so Navajo at the same time. They are finding their places as adults, and also along the continuum of acculturation. Although alcohol plays a pretty big part in this movie, I dislike the title, which belongs to a much grittier and more knowing movie. While bad things are done by and to the characters, the overall mood is almost sweet.

'DRUNKTOWN'S FINEST': Three Stars (Out of Five)Low budget indie drama flick about three troubled Native American youths, living on an Indian reservation, who struggle to build new lives for themselves. The film was written and directed by first time feature filmmaker Sydney Freeland and stars a trio of newcomers; Jeremiah Bitsui, Carmen Moore and Morningstar Angeline. The movie premiered at the 2014 Sundance Film Festival and was later picked up, for release, by the Sundance Film Channel. I found it's mini budget to be very showing at times but I also found the film to be a well-intentioned, and somewhat insightful, character study.The story revolves around three very different young Native Americans, all living on the same Indian reservation. Sickboy (Bitsui) is a young father-to-be, who's had a decent amount of trouble with the law and excessive alcohol consumption. He's joining the military so he can provide for his family, through an honest living for once. Felixia (Moore) is a transvestite who makes a living selling his body. He desperately wants to leave town and start a modeling career. Nizhoni (Angeline) is an adopted Christian girl, who spends most of her time doing community service and wants nothing more than to learn who her real parents are.The movie obviously has a lot of heart and seems to be a realistic telling of what life is like for troubled youths, living with a scarce amount of resources, on an Indian reservation. If the filmmaker (Freeland) had more resources himself, I'm sure this could have been a much better movie. As it is, the acting is very weak, sometimes painfully bad, and the script could have used at least a few more rewrites. It's hard not to be at least somewhat impressed with the good intentions of Freeland and the cast and crew, though.Watch our movie review show 'MOVIE TALK' at: http://youtu.be/0zeoVbvkuAA

At certain points it seem the movie was trying too hard to prove that Navajos are just like everyone else, but I liked that. You rarely see movies about Native Americans just living their lives day to day. It's mostly their culture being exploited and over- exaggerated to give it the same myth and legend of the Greek Gods or something. The movie tells three stories of three different Navajos. A street kid who joins uncle Sam's army to help his growing family, financial, but is struggling to stay off the streets. A beautiful tyranny attempting a modeling career, and a adapted Navajo trying to over come the fear of what her parents told her about her own people in order to find her birth parents.What I love most about this movie was that it was so down to Earth. I feel I got the best portrait of this culture, that I've never seen in any other movie.We all of the same story, but we all tell it different. absolutely recommend.

Drunktown's Finest is grounded with wisdom, great heart and understanding. Director Freeland has done a remarkable job of creating a film that feels genuine. The actors carry honest portrayals throughout. I was made to feel uncomfortable in some instances,and for good reason. I learned something. The break-away from earth-bound tradition in native culture has consequences. The Medicine Man and his wife carry the universe in the palm of their hand. "A strong warrior knows when to retreat" cautions the Medicine Man. Retreating from the materialistic, profit-driven world that engulfs them, has its own strength, balance and insights. Don't miss this film.