People are voting emotionally.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The movie really just wants to entertain people.

6/7/18. This is a sad love story of a lesbian (Kirke), named Joey who falls for a needy woman with kids looking for an emotional and financial connection in every which way she can. Sadly, Joey is willing to give up everything for the woman she loves, but that woman (Wool) does not reciprocate in kind. All she was looking for is someone to support her, be that someone be a man or a woman. In the end, you will feel bad for Joey.

I got much more than anticipated from this film, it is a simple loving poignant portrayal of humanity devoid of all Hollywood exorbitance. The basic story line of unrequited love may be as old as man, yet the tearful accompanying pain equates all with a real and unforgettable experience.

Okay, when I watched this movie THEN saw that it had 100% on Rotten Tomatoes, I thought surely I slipped into an alternate universe...then I realized only 6 people reviewed the movie. I'm going to assume those 6 are either related to the actors/writers OR they have been kept in an underground bunker since birth, devoid of human contact and without concept of language beyond guttural sounds and hand gestures. In a nutshell, this movie sucked at all levels..the acting...the story...the direction...the ending...the dialogue. I could go on. About the only thing that kept my interest was my discomfort with the cleanliness of mobile home and Reyna's unkempt hair. There was nothing "artistic" about this movie, in fact, I've watched people grab their luggage off a baggage carousel with more enthusiasm. BOO!

From the opening shot, AWOL draws you in to its landscape of people, place and passion. Kirke and Wool, working with a backdrop of economic and personal distress, use their characters to paint a picture of the interrelated challenges of life and love. Director Shoval commits to the authenticity of her characters, allowing the story to unfold without compromise.