Lack of good storyline.

This movie was so-so. It had it's moments, but wasn't the greatest.

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

While it doesn't offer any answers, it both thrills and makes you think.

Al Brick was a Fox cameraman who rose to prominence -- such as it was -- with half a dozen of the "Looney Lens" shorts, usually shown as one-minute clips in Fox newsreels. He would shoot various objects using, as the name of the series suggests, oddly shaped lenses.In this one, it looks like he shot a Manhattan street scene, concentrating on a skyscraper, through a beam splitter, and then rotated the two images independently. Beam splitting was one of the methods used to shoot color film in this period and was incorporated into the Technicolor monopack a decade later. Showing this piece would have been startling to the current audience, who were used to the idea that a camera recorded reality. Looking at this warped version would have been weird.